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"Future Park may refer to: * Future Park Rangsit, a shopping mall in Pathum Thani, Thailand. * Future Park Bang Khae, a shopping mall in Bangkok, Thailand; now under-renovation and changed name to Seacon Bangkae. * Jamuna Future Park, an under-construction shopping mall in Bangladesh. "
"The Impulse International is a rock 'n' roll band formed in Jersey City, NJ in 2003. History The band consists of three members: Julius A. Buck (guitar, vocals), J.D. Romeo (bass, vocals) and Rob C. Sterling (aka Ricardo Baron, aka Rob Farren, drums). Buck (a.k.a. Adam Rabuck) and Romeo formed the Impulse International after the dissolution of Buck's former band Dirt Bike Annie.Dirt Bike Annie Originally called The Impulse, a man claiming to own the trademark for "Impulse" relating to music performance threatened to sue them. "The name of your band is in direct conflict with a Trademark that I own. Please find another name for your band and remove all references from the web including the name IMPULSE," he said. "This could get very expensive for you as I have owned the name Impulse under class 041 Entertainment services in the nature of band performances, since 1983. Please respond, as this is getting ready to be turned over to attorneys." They opted to add "International" to their name. Dirt Bike Annie's drummer Tommy Vinton (also from Too Much Joy) joined the Impulse International briefly before Sterling took his place in 2005. The band often played shows in the greater New York City area before Buck relocated to Tampa, Florida in 2007. In August 2009, the band toured the U.S. South to support the release of the full-length album Point of Action. Point of Action was released simultaneously on LP by Deranged RecordsDeranged Records and on CD by Dirtnap Records.Green Noise Distributors The band continues to write and record music. Discography "Get Ready to Go" split single with Boy/Girl - 7" (self-release, 2007) "Arm the Girls" b/w "Run and Hide" - 7" (Deranged Records, 2008) "Saturday Suzie" b/w "One Girl, Eight Wheels" + "Something's Happening Here" - 7" (Mutant Pop) "The Real Kid" b/w "The World Hates Me" - 7" (Deranged Records) "Hollywood Underground" b/w "Gotta Run Home" - 7" (Killer Records, 2008) Point of Action - full-length CD (Dirtnap Records, 2009) Point of Action - full-length LP (Deranged Records, 2009) 10" mini-album (Puta Records, 2010) References Category:Rock music groups from New York (state) "
"The Nadabindu Upanishad (Sanskrit: नादबिन्दु उपनिषत्, IAST: Nādabindu Upaniṣad) is an ancient Sanskrit text and one of the minor Upanishads of Hinduism. It is one of twenty Yoga Upanishads in the four Vedas. It also known as Amrita Nada Bindu Upanishad.() The text exists in two significantly different versions, the North Indian and the South Indian. These manuscripts are respectively attached to the Atharvaveda, or to the Rigveda. Etymology The word Nada, being a Vedic terminology refers to as the unstruck sound or "Anahata Nada" which is reported as a thin buzzing sound being heard in right ear, and upon whom meditating, a person attains the "turya" of meditation easily. It is said that this sound has its source in the Anahata Chakra( the fourth Chakra in vedic terminology). Other religions also have same terms for it like "shabad", "Word" etc. This scripture tells how to listen to that sound so that to attain a deep state of meditation. History The relative chronology of the text is placed by Mircea Eliade with the ancient Yoga Upanishads. He suggests that it was composed in the same period when the following texts were composed – Maitri Upanishad, the didactic parts of the Mahabharata, the chief Sannyasa Upanishads and along with other early Yoga Upanishads such as Brahmabindu, Brahmavidya, Tejobindu, Yogatattva, Kshurika, Yogashikha, Dhyanabindu and Amritabindu. These and the Nadabindu text, adds Eliade, were composed earlier than the ten or eleven later yogic Upanishads such as the Yoga-kundali, Varaha and Pashupatabrahma Upanishads.Mircea Eliade (1970), Yoga: Immortality and Freedom, Princeton University Press, , pages 128–129 Gavin Flood dates this text, along with other Yoga Upanishads, to be probably from the 100 BCE to 300 CE period. Guy Beck dates it to be probably from the pre-Christian era and the earliest document on the Yoga of sacred sound, while Georg Feuerstein suggests that the text is likely from a period in early 1st millennium CE.Georg Feuerstein (1990), Encyclopedia Dictionary of Yoga, Shambala, , page 418 Mikel Burley states that this text does not provide techniques of Hatha Yoga, but probably influenced the later Hatha yoga texts. The Upanishad is also referred to as Nadabindu Upanishad or Nadabindupanisad (नादबिन्दूपनिषत).Vedic Literature, Volume 1, , Government of Tamil Nadu, Madras, India, page 429 It is listed at number 38 in the serial order of the Muktika enumerated by Rama to Hanuman in the modern era anthology of 108 Upanishads. In the Colebrooke's version of 52 Upanishads, popular in north India, it is listed at number 17 The Narayana anthology also includes this Upanishad at number 17 in Bibliothica Indica. In the collection of Upanishads under the title "Oupanekhat", put together by Sultan Mohammed Dara Shikhoh in 1656, consisting of a Persian translation of 50 Upanishads and who prefaced it as the best book on religion, the Amratanada is listed at number 43 and is named anbratnad. Contents The text is composed in poetic verse style. The text, in both versions of the manuscripts, opens with a metaphorical comparison of Atman (soul, self) as a Hamsa bird (swan, goose), comparing both to the Om symbol and the Samkhya theory of three Gunas. It asserts that true Yoga involves meditation and renunciation from all attachments to the worldly cravings. Dharma (ethics), states the text, is a requirement for a Yogi life, and it is notable for describing Om symbol with twelve moras instead of three and half moras commonly found in ancient Indian literature. The yogin contemplates on Omkara, asserts the text, as Hamsa, in twelve Kalas or variations of the four matras (intonations). The variation is produced by the three svara (note on the musical scale), namely Udatta, Anudatta and Svarita. The twelve Kalas, according to Nadabindu text, are Ghosini, Vidyunmali, Patangini, Vayuvegini, Namadheya, Aindri, Vaishnavi, Sankari, Mahati, Dhriti, Nari and Brahmi. The manuscripts of Nadabindu discovered in different parts of India, partially vary in this list. For example, the Calcutta version differs from Poona edition by replacing Dhriti with Dhruva, and Mauni for Nari. The text suggests that a yogin should contemplate and be absorbed in the Om with these Kalas, as it leads one to knowledge of Atman or Self, helps him overcome three types of Karma. The text refers to the Vedanta theory of Ajnana (ignorance) as the cause of bondage, suggesting that a yogin should listen to his inner voice in Siddhasana. A yogin, at the start of his practice, concentrates in the inner side of right ear from inside and, hears many sounds proceeding from those like an ocean and clouds( It is said that this starts from sounds of crickets and other familiar sounds and at higher levels it is Sounds of flute, cymbals and Cloud thunder). These filter out, and over time, he can hear more subtle sounds such as single note of musical instruments at his will, and get absorbed in whichever sound note it wants to, asserts the text. This focus on sound notes help the yogi destroy distractions from other senses and fluctuations of his mind, just like a bee focussed on honey does not care about the odour that surrounds it. Such a yogi does not care about fame or disgrace from others, he does not feel heat or cold, neither joy nor sorrow, he is lost within, in his self, in Brahman-Pranava (Om). The goal of Yoga, asserts the text, is to realize the transcendent Atman, its existence in everyone, and its oneness with Brahman through meditation and absorption into Nada (sound Om).Ellen Goldberg (2002), The Lord Who Is Half Woman: Ardhanarisvara in Indian and Feminist Perspective, State University of New York Press, , pages 84–87 See also *Amritabindu Upanishad *Dhyanabindu Upanishad *Tejobindu Upanishad *Hatha yoga *Yoga (philosophy) *Yogatattva Upanishad *Yoga Vasistha References Bibliography * External links *नाद-बिन्दु उपनिषद् One version of the text in Sanskrit, Wikisource Category:Upanishads Category:Sanskrit texts "